French painter Ode Bertrand was born in Paris in 1930
She lives and works in Paris
She has been exhibiting at the Oniris gallery since 2006
Still painting in oil, Ode Bertrand has devoted himself for more than forty years to the art of line in a radical way. She says she does not appreciate pure colour and material effects, but prefers line, rhythm and form.
I am completely sensitive to the line. A line is so beautiful, there is no matter, and at the same time it attracts light. There is a deflagration of the line on the white.
Geometrical abstraction and the trend of concrete art came to Ode Bertrand without detour, because many artists proposing these concepts have often, at first, worked on figuration, contrary to it.
Thus developing his own language, and for more than 40 years now, still painting with oil, Ode Bertrand is mainly interested in black and white. She is mainly interested in line. Systematically tracing on her supports a grid of straight lines on a white surface, she then applies black to the graphic function that she believes allows her to structure space. The rigour of her work remains the same.
A student and assistant of Aurelie Nemours and thus nourished by her example, Ode Bertrand has retained from the artist an uncompromising rigour in the making of the canvas and the formal purification that results from it.
According to Fernand Fournier in the book "Les chants croisés de l'ordre et du chaos" published in 2005, Ode Bertrand's works belong to the most rigorous trend of abstraction, his art is nourished by the violence of chromatic and formal antagonisms which, because of their very radical nature, deserve to be questioned.
2024 : Ode Bertand et Cécile Bart & la collection Albers-Honegger, Mouans-Sartoux
2019 : Travaux en Noir & Blanc, exposition personnelle, galerie Oniris, Rennes
2012 : Modulation, exposition personnelle, galerie Oniris, Rennes
2010 : Géométrie et Couleurs, Musée de Sens
2006 : Horizontales Verticales Seules, Musée Tavet-Delatour, Pontoise
Reliures Construites, Musée Matisse, Cateau Cambrésis
Exposition à la galerie Oniris, Rennes
Chemins divergents, Arsenal, Metz
2004 : L’abstraction géométrique vécue, Musée Municipal, Cambrai
2003 : Atelier-Édition Fanal, Bâle, Suisse
1997 : Art construit/art concret, Musée des Ursulines, Mâcon
1990 et 1994 : Wilhem-Hack-Museum, Ludwigshafen, Allemagne
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16.896 Triangles rectangles, 1979More
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La croix, 2012More
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Alternance V, 2004MoreOde BERTRAND, Alternance V, 2004€ 5,000.00
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Alternance X, 2004MoreOde BERTRAND, Alternance X, 2004€ 5,000.00
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Sans titre (Plan), 1996MoreOde BERTRAND, Sans titre (Plan), 1996€ 900.00
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Sans titre 1, 2009Ode BERTRAND, Sans titre 1, 2009€ 550.00
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Sans titre 2, 2009Ode BERTRAND, Sans titre 2, 2009€ 550.00
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Orgue I, 2006Ode BERTRAND, Orgue I, 2006€ 430.00
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Orgue II, 2006Ode BERTRAND, Orgue II, 2006€ 430.00
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Ode Bertrand + Cécile Bart & the Albers-Honegger Collection
Mouans-Sartoux June 25, 2023 - March 31, 2024Cécile Bart and Ode Bertrand are invited in tandem from June 23, 2023 to March 31, 2024 by the Espace de l'Art Concret in Mouans-Sartoux to engage in dialogue not only with each other but also with a selection of works from the Albers-Honegger Donation.Read more -
3 more years!
for helping French companies purchase works by living artists Till 31 dec. 2025L’AIDE AUX ENTREPRISES POUR L’ACHAT D’ŒUVRES D’ARTISTES VIVANTS EST PROLONGÉE JUSQU'EN 2025. codifiée à l’article 238 bis AB du code général des impôts et rattachée à la loi relative au mécénat dite « Loi Aillagon » du 1er août 2003, cette disposition autorise, sous certaines conditions comptables et sous des conditions de monstration, la déduction des résultats imposables, sur cinq ans, de la somme correspondant au prix d’acquisition des œuvres concernées.Read more -
Preserving works on paper
some recommendations .WORKS ON PAPER(*) DESERVE SPECIAL ATTENTION IN TERMS OF CONSERVATION. HERE ARE A FEW BASIC RULES: 1. AVOID EXPOSURE TO UV Sunlight is enemy number...Read more